Well folks, there's another movie to
keep an eye on: “Drive.” This action film has opened soft at the
box office (a little over $4 million on the opening day), but the
rave reviews are piling up. It appears to be a “love or hate it”
film, but so far more people seem to love it than hate it. It's not
even polarizing female audiences, which is amazing since “Drive”
is being advertised as a more mature version of “The Fast & The
Furious” (though I still conclude that “Fast Five” was the most
pleasant surprise for me this year). The general praise from all the
reviews Rotten Tomatoes picked up on is “a hyper-stylized blend of
striking imagery and violence, Drive represents a fully realized
vision of arthouse action.”
So what we have is a summer movie that
was so artsy, that the studios decided to release it later in the
year to capitalize more on the awards than the summer crowds. Did
the studio do this because they trusted the more serious movie fans
to carry this better than the teenage summer crowd that normally
abandons movies after their opening weekend? Who knows. Aside from
people commenting on how artful the film is though, the main praise
is going to Ryan Gosling. His performance is considered the driving
force behind this movie (no pun intended...if you want to believe
me), and though he's young, there are few major performances so far
this year that are challenging it. So far his biggest competition is
George Clooney (ironically, his co-star of the upcoming “The Idles
of March”) in “The Descendants,” Jean Dujardin in “The
Artist,” and Michael Fassbender in “Shame.”
So what chance does he stand of
winning? So far...hard to say, the movies listed above have yet to
be seen by the audiences, so its hard to decide how this will swing.
Here's a few things to consider though. First of all, George Clooney
is clearly the biggest threat because his film HAS been seen by a
good chunk of critics, and the buzz is already building! That said,
he's won an Oscar, and that (sadly) sometimes counts against you).
Jean Dujardin is riding high on the praise of “The Artist,” but
he's largely an unknown, and that could hurt him. Michael Fassbender
is known to audiences as Magneto from “X-Men: First Class,” but
his role in “Shame” is that of a sex addict, which might be a
rather challenging film for members of the Academy to go for.
One thing seems certain though: Gosling
is in for a Best Actor nomination. Maybe more performances will come
along, but this seems like a safe bet. “Drive” also seems to be
in a good position for supporting nods, art direction nods, and even
a Best Picture nod doesn't seem out of the question at this point.
It will all come down to a couple big things: Whether the Academy and
audiences embrace the film, and whether or not they “like” it
enough to give it the nominations.
1 comment:
One thing to consider regarding the large drop on numbers for HP is the fact that it had such huge numbers to begin with,as a result the drop looks larger than it actually is. As a result it would actually be better to look at it from week 2 on and ignore week one in terms of average money per week, as week 1 would totally mess up the average.
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