Showing posts with label michael fassbender. Show all posts
Showing posts with label michael fassbender. Show all posts

Tuesday, November 8, 2011

Oscar Going NC-17?


This is sort of old news, but Steve McQueen's controversial and haunting film "Shame" was given an NC-17 by the MPAA about a month ago.  Fox Searchlight decided not to edit the film or appeal it for the less restrictive R.  "Shame" has been screened at several film festivals prior to getting the rating.  It was cited as an early Oscar contender for Best Picture, and Michael Fassbender's performance was considered the first performance that could seriously be considered for a nomination for Best Actor.  The new rating could potentially hurt its chances with Oscar.  It could potentially hurt its box office potential as well, but Fox feels differently.  They feel that the NC-17 is a badge of honor, and that its time to take a chance and show that real adult films can have this rating attached to it without being labeled smut.

I didn't comment on the rating because I didn't think it mattered much, but now that I've had some time to think about it (and let all this discussion of the rating overpower the film itself), I have to ask this of the people who are worried about the NC-17: What's the big deal?  Does anyone here know what NC-17 stands for?  It stands for 'No Children Under 17 Admitted.'  Now then, what does the R rating stand for?  'Restricted: No Children Under 17 Admitted Without Parent or Guardian.'  Really folks, is this really that different?  The only real difference these two ratings share is that one parents can take their kids into the film, and the other one they can't.  And really, would any sane parent actually take their kids to this film?  Depending on how much award talk it gets, I don't think getting the R rating would have helped this film much anyway.

We went through this dance last year when "Blue Valentine" received an NC-17.  The Weinstein Company managed to appeal the rating though, and got an R rating for the film without any cuts.  The film ended up grossing more than $10 million dollars at the box office and made some money on DVD and BluRay.  The film only cost $1 million to make though.  Would the NC-17 rating have REALLY hurt that film much?!  I doubt it. Oddly enough, this situation is also similar to that of "Midnight Cowboy" from 1969, when that film was predicted to be totally shut out of the Oscars because of its X rating.  And what happened?  Well, the power of the film was too much to ignore, and "Midnight Cowboy" became the first X rated film to win Best Picture (a year after the very G rated "Oliver!" took home the prize).

I make no claims that "Shame" will be the first NC-17 film to win Best Picture.  I attribute that more to some heavy competition then the films rating though.  I am looking at this film though and believe that this could potentially be the start of the NC-17 curse being broken.  Ang Lee's "Lust, Caution" creaked the door open, and I think "Shame" will fully open it.  "Lust, Caution" made around $4 million dollars in the US and $67 million worldwide on a budget of $15 million.  That's successful, regardless how you look at it.  Actually, considering that was rated NC-17 AND was in Taiwan, $4 million dollars looks pretty impressive to me.  Of course, this is all speculation until the film actually opens, but I've got a funny feeling we can expect big things from "Shame."

Saturday, September 17, 2011

Ryan Gosling To “Drive” To Oscar



Well folks, there's another movie to keep an eye on: “Drive.” This action film has opened soft at the box office (a little over $4 million on the opening day), but the rave reviews are piling up. It appears to be a “love or hate it” film, but so far more people seem to love it than hate it. It's not even polarizing female audiences, which is amazing since “Drive” is being advertised as a more mature version of “The Fast & The Furious” (though I still conclude that “Fast Five” was the most pleasant surprise for me this year). The general praise from all the reviews Rotten Tomatoes picked up on is “a hyper-stylized blend of striking imagery and violence, Drive represents a fully realized vision of arthouse action.”

So what we have is a summer movie that was so artsy, that the studios decided to release it later in the year to capitalize more on the awards than the summer crowds. Did the studio do this because they trusted the more serious movie fans to carry this better than the teenage summer crowd that normally abandons movies after their opening weekend? Who knows. Aside from people commenting on how artful the film is though, the main praise is going to Ryan Gosling. His performance is considered the driving force behind this movie (no pun intended...if you want to believe me), and though he's young, there are few major performances so far this year that are challenging it. So far his biggest competition is George Clooney (ironically, his co-star of the upcoming “The Idles of March”) in “The Descendants,” Jean Dujardin in “The Artist,” and Michael Fassbender in “Shame.”

So what chance does he stand of winning? So far...hard to say, the movies listed above have yet to be seen by the audiences, so its hard to decide how this will swing. Here's a few things to consider though. First of all, George Clooney is clearly the biggest threat because his film HAS been seen by a good chunk of critics, and the buzz is already building! That said, he's won an Oscar, and that (sadly) sometimes counts against you). Jean Dujardin is riding high on the praise of “The Artist,” but he's largely an unknown, and that could hurt him. Michael Fassbender is known to audiences as Magneto from “X-Men: First Class,” but his role in “Shame” is that of a sex addict, which might be a rather challenging film for members of the Academy to go for.

One thing seems certain though: Gosling is in for a Best Actor nomination. Maybe more performances will come along, but this seems like a safe bet. “Drive” also seems to be in a good position for supporting nods, art direction nods, and even a Best Picture nod doesn't seem out of the question at this point. It will all come down to a couple big things: Whether the Academy and audiences embrace the film, and whether or not they “like” it enough to give it the nominations.