Saturday, September 17, 2011

Ryan Gosling To “Drive” To Oscar



Well folks, there's another movie to keep an eye on: “Drive.” This action film has opened soft at the box office (a little over $4 million on the opening day), but the rave reviews are piling up. It appears to be a “love or hate it” film, but so far more people seem to love it than hate it. It's not even polarizing female audiences, which is amazing since “Drive” is being advertised as a more mature version of “The Fast & The Furious” (though I still conclude that “Fast Five” was the most pleasant surprise for me this year). The general praise from all the reviews Rotten Tomatoes picked up on is “a hyper-stylized blend of striking imagery and violence, Drive represents a fully realized vision of arthouse action.”

So what we have is a summer movie that was so artsy, that the studios decided to release it later in the year to capitalize more on the awards than the summer crowds. Did the studio do this because they trusted the more serious movie fans to carry this better than the teenage summer crowd that normally abandons movies after their opening weekend? Who knows. Aside from people commenting on how artful the film is though, the main praise is going to Ryan Gosling. His performance is considered the driving force behind this movie (no pun intended...if you want to believe me), and though he's young, there are few major performances so far this year that are challenging it. So far his biggest competition is George Clooney (ironically, his co-star of the upcoming “The Idles of March”) in “The Descendants,” Jean Dujardin in “The Artist,” and Michael Fassbender in “Shame.”

So what chance does he stand of winning? So far...hard to say, the movies listed above have yet to be seen by the audiences, so its hard to decide how this will swing. Here's a few things to consider though. First of all, George Clooney is clearly the biggest threat because his film HAS been seen by a good chunk of critics, and the buzz is already building! That said, he's won an Oscar, and that (sadly) sometimes counts against you). Jean Dujardin is riding high on the praise of “The Artist,” but he's largely an unknown, and that could hurt him. Michael Fassbender is known to audiences as Magneto from “X-Men: First Class,” but his role in “Shame” is that of a sex addict, which might be a rather challenging film for members of the Academy to go for.

One thing seems certain though: Gosling is in for a Best Actor nomination. Maybe more performances will come along, but this seems like a safe bet. “Drive” also seems to be in a good position for supporting nods, art direction nods, and even a Best Picture nod doesn't seem out of the question at this point. It will all come down to a couple big things: Whether the Academy and audiences embrace the film, and whether or not they “like” it enough to give it the nominations.

1 comment:

Joshua Anderson said...

One thing to consider regarding the large drop on numbers for HP is the fact that it had such huge numbers to begin with,as a result the drop looks larger than it actually is. As a result it would actually be better to look at it from week 2 on and ignore week one in terms of average money per week, as week 1 would totally mess up the average.