Patriotism Never Sounded So Catchy

For those who are feeling particularly patriotic this morning, take a listen to "Star Spangled Man," a catchy Broadway-style tune by Alan Silvestri (the Oscar-nominated composer who wrote the "Back To The Future" theme) for the new film "Captain America: The First Avenger."  And yes, I would SO love to see this nominated for Best Song and performed with lots of flamboyant glee at the Oscar telecast next year!

Memo To The Academy: Honor the Voice Actors

Alright Academy: It's time to get over your old fashioned beliefs about animation and create a category for honoring voice over work.  I think it became painfully obvious after "Rango" was released that voice acting is crucial to these animated movies.  More than ever before, big established actors are giving out Oscar worthy performances in voice over work.  Yet none of it is being recognized, and the Academy is too busy deciding whether five movies are enough or not in the Best Picture category, and are thus overlooking awards that would obviously be good for the show.  Think about it: If you start awarding Oscars to voice actors it gives you a chance to have a whole new branch in the Academy to sell memberships to.

You can attract lots of big name talent who might make poor live action films, but in animation shine.  You could attract kids to watching the Oscars because animation will now have a very prominent role at the awards.  And - because many voice actors are also face actors in real life - you honor more actors, which are the main reason anyone not as interested in movies watch the Oscars anymore (Editor's Note: The hosts haven't been a major draw for this show in YEARS).  I'm going to make a list of what a potential award category would look like, complete with nominees.


Best Actor In An Animated Feature

Antonio Banderas - "Puss In Boots" (I'm making an educated guess on this one based on his previous work)
Jack Black - "Kung Fu Panda 2"
Jim Cummings - "Winnie The Pooh"
Johnny Depp - "Rango"
Jesse Eisenberg - "Rio"


Best Actress In An Animated Feature

Emily Blunt - "Gnomeo & Juliet"
Isla Fisher - "Rango"
Anne Hathawy - "Rio"
Salma Hayek - "Puss In Boots" (Again, this one's a guess)
Angelina Jolie - "Kung Fu Panda 2"


Best Actor Featured In An Animated Feature

Ned Beatty - "Rango"
Michael Caine - "Cars 2"
Dustin Hoffman - "Kung Fu Panda 2"
Tom Kenny - "Winnie The Pooh"
Gary Oldman - "Kung Fu Panda 2"


Best Actress Featured In An Animated Feature

Abigal Breslin - "Rango"
Joan Cusak - "Mars Needs Moms"
Leslie Mann - "Rio"
Emily Mortimer - "Cars 2"
Michelle Yeoh - "Kung Fu Panda 2"




Now some of those names I'm just tossing out there because we haven't seen ALL the animated films that are supposed to come out, but take a moment and look at that list!  That's not only good acting, it's a considerable amount of talent you're drawing.  You can't tell me this category wouldn't catch on when you have nominees like that?  Who knows, maybe you could give some of the "de faco" awards to actors who get nominated in the voiceover category, instead of wasting it on the main acting awards (*cough* Paul Newman's Best Actor win for "The Color of Money"*cough*).  Just a thought.

Best Song Frontrunner

Disney's "Winnie The Pooh" is currently out in theaters.  Chances are you haven't seen it (it DID open opposite of "Harry Potter and the Death;y Hallows Part II" after all).  Well, I did, and though it's not the best animated film I've seen, I wouldn't be too surprised to see it win Best Animated Feature.  It's not complicated but it's so charming and sweat that it's hard not to leave with a big smile on your face, which could go a long way with the increasingly aging Academy members.  One aspect I did like though was the music, which was written but Kristen and Robert Lopez (who was one of the co-writers of the "Avenue Q" score if you can believe it).  I don't know if this song is going to be groundbreaking, but it's fun and catchy enough that I think it would be a lot of fun to see this nominated for Best Song.

Back In Game: The State of the Race

Well, more than a year after I stopped updating this blog I thought I would never return to it. To be honest, I almost deleted this blog because I felt it was just taking up space.  Well, a recent book project I'm working on (which I'll discuss more about in a few days) sort of jolted me back to this blog, and I realized that this blog still may have some usefulness to it.  So how do I make my grand return?  Why, but discussing the state of the race.  And there are three films I want to focus on.  The first two are the closest things to locks on a Best Picture nomination, with a third that sounds like a sure thing on paper (but a long shot in practice).  The first is Terrence Malick's very polarizing "The Tree of Life."  Though praised by many (including myself) as a masterpiece that must been seen to be believed, it never-the-less has not caught on with the public.

They don't get it.  They wonder what the point of it is.  The non-linear structure confuses them.  I think most people go in expecting a story and don't realize that "The Tree of Life" is a movie more about ideas than what happens to the characters on screen.  I know that sounds strange, but that's pretty much what it is.  Despite it clearly being the best film of the year so far, this is the same Academy who awarded "The King's Speech" (a good movie by the way) a Best Picture nomination over the more ambitious "The Social Network."  Why?  Hard to tell, but there was a lot of talk that most members of the Academy didn't even know what Facebook was.  If THAT was a problem, I see "The Tree of Life" having a much steeper climb!  The other movie that seems like a good bet right now is Woody Allen's "Midnight In Paris."  Ironically, this is the polar opposite of "The Tree of Life."

This is a movie that is story driven, has well defined characters, and have a journey and destination in mind.  That fact that it's popular AND smart makes this a good bet even if the coming months should bring us more ambitious films!  Part me is still a little cynical of the idea that the Academy would nominate this for Best Picture when they couldn't bring themselves to nominate "Match Point" for anything other than it's screenplay, but with the Best Picture number that could be anywhere between five to ten films...well, anythings possible.  And then we have...

..."Harry Potter and the Deathly Hallows Part II."  None of the Harry Potter films have won Best Picture.  None of the Harry Potter films have won any Oscars.  Most of the movies are critically mixed.  But "Harry Potter and the Deathly Hallows Part II" could change all that.  It's opened to the best reviews of the franchise.  It's got some of the best reviews of the year.  They match up (if not pass) the previous ten years Best Picture winners.  Not to mention audiences around the world are eating it up to the point where it could potentially make more money than "The Dark Knight" and "Avatar."  If this was any other movie, it would be automatically considered a strong Best Picture nominee (if not winner).  Since it's Harry Potter though, we're just going to have to wait and see if the Academy follows the audiences cheers.

With so little competition nobody knows anything yet.  Well, actually, I do know one thing: For the first time I can think of, Pixar has absolutely no chance of being nominated in Best Animated Feature.  That may make that race at least a little more interesting.